Stacking up lots of particle effects and enabling motion blur goes a long way towards delivering convincing results.Īnother limitation is that there's only basic control over the interpolation between keyframes. However, it is possible to animate elements within a model, such as wheels on a car or propellers on a helicopter. We experienced some problems with bitmap textures not being read correctly, leaving us to relink to them manually. However, with no ray tracing the results look a little short of photorealistic.
Hitfilm pro review for free#
There are models available for free or at reasonable prices at sites such as Render quality is good rather than great, with sophisticated lighting and the ability to cast shadows. As it stands, smoke, sparks and other particles pass straight through models, which can look a little odd.ģD models aren't created inside Hitfilm, but it supports 3DS, OBJ and LWO formats. The ability for particles and models to exist in the same 3D space made us wish for an option for 3D models to act as deflectors.
Hitfilm pro review simulator#
One of our favourite tricks with the particle simulator is the ability to define 3D shapes that act as deflectors – making particles bounce off walls, slide down slopes, come to rest on flat surfaces and so on. Creating particles that also act as particle generators almost defeated us, but that made the end result all the more rewarding.
We managed to create flying 3D rockets, each with its own trail of fire and smoke particles. Model by Herminio NievesĪnother major breakthrough is the ability to use a 3D model as the particle in a particle generator.
^ 3D models and particles now wrap around each other more convincingly. This significantly boosts the realism of shots that combine models and particles. In version 3, a new option allows 3D models and particles to intermingle in the same 3D space. Whether the model sat in front of or behind the particles depended on the order of layers on the timeline, and bore no relation to which was nearer to the virtual camera. In version 2, particles and 3D models could be animated on the same 3D axes but existed on separate layers. Our favourite new feature is Unified 3D Space. However, there's a lot here to justify the £139 upgrade. With so much already possible in version 2, the new version didn't have to do much to earn yet another five-star review from us. It's perfect for creating sophisticated animated logos, and we'd imagine many people will buy it to produce outlandish special effect videos just for the fun of it. Digital effects often work best when they employ multiple techniques, and this is something Hitfilm excels at.Īt a little over £200, it's an absolute treat for amateur filmmakers with high aspirations. However, this depth of control also means there's tremendous scope to find creative solutions to technical challenges. Even after many days' use we still find ourselves struggling to locate parameters in the huge nested lists. It takes time and a high level of technical competency to get to grips with Hitfilm. Together, these features let users add 3D models and particle effects to moving camera shots with impressive levels of realism. Hitfilm 2 expanded its capabilities considerably, gaining the ability to import and animate 3D models, and included a limited version of Imagineer Systems Mocha for analysing video footage and calculating camera movement. Hitfilm specialises in dramatic effects like fire, explosions, lasers and lightning bolts.
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